I first saw Eun-Ha Paek’s ceramics while attending ICON7 in 2012. Her small, bizarre characters captivated me, and I’ve followed her work ever since. Today, Paek is still creating sculptures with clay, in addition to wood and cardboard. I enjoy her exaggeration of ears, hair, and more; the melted eyeballs and an unhappy drumstick are simultaneously subversive with a candy-colored surface treatment that feels jubilant.