Miscellany

OPENING! Lost Dog: new ceramics by Eleonor Boström

dogs1So, I’ve talked about it for a cou­ple of months now, but the Lost Dog exhi­bi­tion through eyra illus­tra­tion gallery is now LIVE! I’m so excit­ed to share with you Eleonor Boström’s beau­ti­ful ceram­ic works. She’s sculpt­ed dogs, a boat, and dogs with boats. It’s all for sale in the Lost Dog shop. You can also view the show in its entire­ty here. In the com­ing weeks I’ll be adding to this web­site and adding some fun animations.

Eleonor’s friend, Emelie Johans­son wrote about her ceram­ic pieces, plac­ing these dogs con­tex­tu­al­ly in the scope of Eleonor’s work. She writes,

Eleonor Boström is a ceram­ic artist from Stock­holm, Swe­den who cur­rent­ly lives and works in Berlin. Since grad­u­at­ing from Kon­st­fack, the Uni­ver­si­ty Col­lege of Arts, Crafts and Design in 2010, she runs a work­shop and has par­tic­i­pat­ed in sev­er­al exhi­bi­tions in Swe­den as well as the UK and Germany.

Ever since a course at school when Eleonor ten­der­ly clar­i­fied the ten most endan­gered ani­mals by ten beau­ti­ful sculp­tures, ani­mals have fol­lowed Eleonor in her work. The endan­gered ani­mals were lat­er replaced with a clos­er friend, her dog Tess. The dog as a sculpt­ed fig­urine also found it´s way into Eleonor’s table­ware. One day the dog sat in a cup (and since that day it is a block­buster favorite) anoth­er day the dog helped me salty my food “salty tears”, salt shaker.

With an artist’s sharp pen and play­ful hand-shaped fig­ures, Eleonor builds her cre­ative fic­tion­al world. Eleonor oper­ates the naive with com­plete cer­tain­ty, because despite the play­ful­ness and the intu­itive con­clu­sion, there is no trace of hesitation.

Fig­urines are going some­where, as a view­er you enter an event you imme­di­ate­ly know is not the end, but if not at the begin­ning, so in the mid­dle. The dogs look away and despite not search­ing for eye con­tact, they are com­mu­ni­cat­ing. The ques­tion is not always what the dogs are say­ing, the ques­tion is rather, what we see in them? Eleanor leaves pre­vail for us to see for our­selves where the sto­ry goes on, what­ev­er coast­line the dogs may have in mind.

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