Sculpture

Caitlin Ducey

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Rebec­ca intro­duced me to the work of Caitlin Ducey, and I’m real­ly tak­en by her explo­ration in the use of plas­tic straws in sculp­tur­al forms. Caitlin has used them to cre­ate work that is pleas­ing on many dif­fer­ent lev­els. She writes a bit about her series: 

These three sculp­tures rep­re­sent an explo­ration of mate­r­i­al, process, and pat­tern. They are made pri­mar­i­ly from plas­tic drink­ing straws. The abun­dance and acces­si­bil­i­ty of straws were ini­tial­ly attrac­tive to me, as well as how com­mon, yet dis­re­gard­ed they are in every­day life. The project evolved from this ini­tial curios­i­ty as well as an inter­est in the aes­thet­ic poten­tial they pos­sess. The straws were cut in half and then stacked in the frame. There is no glue or adhe­sive hold­ing the pieces togeth­er; they sim­ply rest on top of one anoth­er. As the frame is filled, the weight of the thou­sands of indi­vid­ual straws gives the pieces more sta­bil­i­ty, but they are still very fragile.

The tech­nique is a reflec­tion of old­er forms of art mak­ing. I like to think of it as pointil­list sculp­ture, as it is made up of many small parts that make a cohe­sive image togeth­er and it exhibits a sim­i­lar ten­sion of being per­ceived very dif­fer­ent­ly up close and at a dis­tance. It is also unde­ni­ably influ­enced by craft tra­di­tions such as quilt­ing, which uses pat­tern and brings togeth­er dif­fer­ent pieces to make a larg­er pat­tern, and weav­ing, which starts from one end and cre­ates a pat­tern in a lin­ear pro­gres­sion from one end to the oth­er. There is also a con­nec­tion in the obses­sive qual­i­ty of the work and the time required. 

All images via her web­site.

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